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* **Photoshop Elements:** A free product similar to Photoshop. The interface and features are identical. However, Elements lacks some of Photoshop’s advanced editing tools and the ability to work with RAW files.
* **GIMP:** An open source version of Photoshop. It is perfect for beginners looking for an alternative to Photoshop’s steep learning curve.
If you’re planning to use Photoshop for only certain purposes, such as retouching photos, you should consider the features and capabilities of Elements. If you’re a professional or aspiring professional, the prices for Photoshop make it a bit pricey. Photoshop also has the advantage of being a much larger application, offering features and integrations not found in Elements. So, if you’re not spending most of your time on the iPhone, go with Photoshop.
* **VisiCalc:** The most important reason you need to learn spreadsheet programs is that you’ll need them in business. If you want to use spreadsheets for more than just basic data entry and calculating, VisiCalc is probably a good choice.
## Learning a Basic Computer Navigation System
You must learn a basic computer navigation system to protect yourself from being overcome by technology. As I mention earlier in this chapter, you must learn a navigation system that you can use in iPhone apps.
Because your navigation system is such a critical part of your iPhone’s operating system, you should already know how to use the iPhone. At the minimum, you should know how to read the tiny icons on the top of the screen and how to use the devices on the bottom of the screen.
After that, you should get to the point where you can quickly move from one app to another by using a few gestures. If you’re like me, you’ll find that your iPhone is a constant companion, and you need a simple, quick system to quickly get to your most used apps and features.
You can use the multitudes of third-party apps and third-party navigation systems. However, the system I describe in this book is the navigation system you use for most of your iPhone apps. You can think of it as the navigation system I use to learn how to navigate your iPhone’s OS and to learn how to use the other apps in this book.
## Understanding the iPhone’s Multifunctional Features
Almost everything you do on your iPhone requires the use of at least two features. The four functions you’ll use most often are
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Adobe Photoshop enables you to create and manipulate images in two ways: with and without layers. In this article, we will explain how to work with layers in Adobe Photoshop.
What are layers?
Layers are a fundamental concept in Photoshop, allowing for the blending of photographs to create the image you see on the screen. They are a great way to create artful effects, animate, and compress without losing quality.
Adobe Photoshop layers and layer masks
As seen in Figure 1, you can have a photo or a document with any number of layers. You can also have multiple layers at once or group them together into one layer.
Figure 1. The Layers palette with the Layers panel open. Layers and layer masks are located at the bottom of the palette.
When you save a new document (File > Save as…), Photoshop creates a new image with a working space that’s the size of the document. Within this working space, you can place any number of layers you want.
Figure 2. A new image, with a working space, can contain any number of layers.
The layers you create in the image are placed at the bottom of the working space.
Figure 3. The layers palette in Adobe Photoshop Elements.
The layers palette
The Layers palette allows you to define, organize, and edit the visible layers of your document. It allows you to selectively view or hide and reapply layers. It enables you to have multiple different layers at once, and you can always go back to the original state with the Layer palette or the ‘Undo’ button.
Figure 4. The Layers palette in Adobe Photoshop Elements. The Layers palette enables you to selectively view or hide layers.
Working with Photoshop layers
Let’s now take a look at how you can edit the layers in a document.
Layer is an object that is composed of pixels that represent the specific photo objects present in the original image. You can add or delete pixels from layers.
A layer is made up of pixels and cannot exist in isolation. The pixels of a layer are connected in a set of pixels (the pixels of the layer are combined to make the visible image).
Adding and deleting layers
You can add, delete, or edit the shape of a layer in the Layers palette. Before creating or editing a layer, you must first select it.
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The present invention relates generally to food processing equipment and in particular to a multi-functional food processor with the ability to also serve as an extruder.
In order to process food, one or a combination of functions is normally carried out. Various individual functions can be performed in a single machine, but the process becomes more complex as the number of functions are increased. In any event, a number of functions remain, including mixing, chopping, cutting, kneading, crushing, granulating, melting, and forming.
Food processors are known in the art. One such food processor is disclosed in U.S. Pat. No. 4,501,593 (Carnahan) and is provided with a plurality of rotating blades to crush particles and an impeller to mix a food material. Carnahan also discloses the use of either a pair of uncoated steel wheels or a pair of sponge rollers in conjunction with the rotating blades to crush the particles. As disclosed, the food material is fed axially into one end of a housing having a pair of rotating whetted stainless steel parts.
Some extruders have been designed to extract a liquid in the extruded food material and to massage the food material. U.S. Pat. No. 5,613,819 (Ingersoll) discloses a meat grinder that has an extruder for processing meat. The extruder is adapted to receive meat from a hopper and advance it through a path of reduced cross section. One wall of the path has an inlet for receiving meat from the hopper and terminates in a constriction which serves to prevent the meat from reentering the hopper. The constriction includes a surface having a plurality of recesses. The recesses serve to cause the meat to disintegrate when pressed into the recesses. A plurality of female blades are spaced about the path to form a screen section within the path, with the screen section having a peripheral wall that includes a plurality of apertures. The apertures allow meat to pass into the screen section without becoming jammed.
Food processors for the general type disclosed in Carnahan have been provided with food extruders such as those disclosed in U.S. Pat. Nos. 5,299,548 (Rousselot) and 5,375,897 (Rousselot).
Ingersoll is of interest in that it does have an extruder and the liquid is applied to the food material. It would be desirable to be able to
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Brushes allow you to easily apply effect to multiple areas of your image.
Brushes come in a wide variety of styles, but it’s important to understand what will work best for you. Most brushes are separated into four categories depending on the effect they create:
Clone – This contains large groups of pixels arranged in a grid. The Clone tool is probably the most versatile of the brushes, because it can be used to copy pixels into another area or to hide an area of your image and reveal it elsewhere.
Burn – This contains large groups of pixels that are smaller than regular pixels and act as shadows.
Dodge – This contains small groups of pixels and is used to soften areas of the image.
Dot – A small random area of pixels that has the effect of tearing or warping an area of your image.
The following tips and tricks are from Kyle, a Photoshop pro who has experience with just about every brush.
Image courtesy Visual
Use the Clone Stamp before starting on the rest of the image
Basically, if you need to “fix” a spot before painting over it, use the Clone Stamp tool instead. This will save you the trouble of having to paint over your “mistakes.”
Grip the Clone Stamp tool with the mouse on its lowest point of the handles, and use it to select the area you want to clone. You can also use the brush tool to start painting the duplicate pixels, holding down the “Alt” key. This makes it possible to select multiple areas.
When painting, use the brush’s two lowest points – one to erase and one to reveal areas. If you use too-big a brush size, it will take a lot of time, or it will make the brush scratch in some areas of your image. When painting a spot, use a brush size between 50 and 75 pixels.
If your image is a little too light or dark, hold down the “Ctrl” key while painting, and this will make the brush a little lighter or darker. This works for the Dodge brush, too, but you should be sure to drag the brush very slowly, as it will make the brush lighter or darker for your whole image.
When you paint something on the edges of an image, use a brush size between 50 and 75 pixels. If you paint on it too heavily, you could distort the edges – making them darker and more damaged. If
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Oculus Rift CV1:
Oculus Touch Controllers:
To get the full Oculus Story Studio experience, you’ll need to own a VR headset and Touch controllers. What you experience will differ for each person depending on your skill level, VR hardware and, perhaps most importantly, your personal preferences. If you’re just starting to explore VR, there are a number of apps that are great for beginners. If you want to dive into more intense experiences and you have the hardware, you can find immersive apps and experiences in the Oculus Store, or create your own.